Faculty lecture/discussion:
October 14, 2016
11am in Ramo Recital Hall


EXPLOSIVE HAZARD] from The Source by Ted Hearne. Video by Daniel Fish, Jim Findlay, Julie Lashinsky-Revene

Composer, singer and bandleader TED HEARNE (b.1982, Chicago) draws on a wide breadth of influences ranging across music's full terrain, to create intense, personal and multi-dimensional works. The New York Times has praised Mr. Hearne for his "tough edge and wildness of spirit," and "topical, politically sharp-edged works." The Los Angeles Times said, "No single artist embodies the post-genre Brooklyn scene, but Hearne may be its most zealous auteur."

Hearne's newest theatrical work, The Source, sets text from the Iraq and Afghanistan War Logs, along with words by Chelsea Manning (the U.S. Army private who leaked those classified documents to WikiLeaks), and was premiered to rave reviews last October at the BAM Next Wave Festival in Brooklyn. The New York Times included The Source on its list of the best classical vocal performances of 2014 and best classical albums of 2015, noting that the work “offers a fresh model of how opera and musical theater can tackle contemporary issues: not with documentary realism, but with ambiguity, obliquity, and even sheer confusion.”

"Furtive Movements" by Ted Hearne
featuring Ashley Bathgate, cello Ron Wiltrout, drums/percussion

Hearne’s piece Katrina Ballads, another modern-day oratorio with a primary source libretto, was awarded the 2009 Gaudeamus Prize in composition and was named one of the best classical albums of 2010 by Time Out Chicago and The Washington Post. Recent collaborations have paired him with filmmaker Bill Morrison, poet Saul Williams, director Daniel Fish and legendary musician Erykah Badu, for whom he wrote an evening-length work combining new music with arrangements of songs from her 2008 album New Amerykah: Part One.

Law of Mosaics, Hearne’s 30-minute piece for string orchestra, was recently performed by the Chicago Symphony Orchestra and San Francisco Symphony. His album of the same name, with Andrew Norman and A Far Cry, was named one of The New Yorker’s notable albums of 2014 by Alex Ross.

A performance of CRIMINAL EVENT from The Source by Ted Hearne

A charismatic vocalist, Hearne performs/composes with Philip White as the vocal-electronics duo R WE WHO R WE, whose debut album (New Focus Recordings) was called “eminently, if weirdly, danceable and utterly gripping.” (Time Out Chicago).

Ted Hearne was awarded the 2014 New Voices Residency from Boosey and Hawkes, and recently joined the composition faculty at the University of Southern California. Recent and upcoming commissions include orchestral works for the San Francisco Symphony, Los Angeles Philharmonic, New World Symphony, Los Angeles Chamber Orchestra and A Far Cry, chamber works for eighth blackbird and Ensemble dal niente, and vocal works for The Crossing and Roomful of Teeth.

LA Engagements:
October 20-25, 2016
LA Opera presents Ted Hearne's The Source

More about Ted Hearne:
Ted's website
Ted's bandcamp
Five Questions to Ted Hearne from I Care if you Listen
Ted talks about Law of Mosaics for Chicago Symphony Orchestra